Portrait

Faces of Fiction \ The Ice Queen

Anybody who knows me knows I love to draw portraits. Most of the time those drawings/paintings are from life and sometimes the drawing from the memory of characters I encounter in life and some completely ficticious faces constructed by my mind and the moment in which I find myself. 

Well here we have one of my semi fictitious characters. The Ice Queen, conceived in my mind over two years back now, is a subject based on certain qualities of an individual that you could say I know very well, or at least I thought I knew very well, mixed with my ideas and visions of what a true Ice Queen really is. Obviously elements such as coldness, or 'lack of' warmth come to mind. Blues, icy blues, hard edges and strong contrasts alongside some implied character traits suggested in amongst the distorted facial features. I was liberal with the oils and richness of the blues whilst refining the lines with charcoal as I went, what you see below is the outcome of about 5 hours painting, enjoy the ice queens but be warned, don't get too close, frost can bite, hard.. 

My idea of Heaven \ Portrait

I cannot say I am a huge believer in love at first sight. This being said, I feel I’ve gotten as close as I’m ever gonna get. Only a handful of times in life have I, for the first time, laid eyes on a member of the opposite sex and been sucked into suspended animation. The world dissolved around me, I would be reduced to a rabbit caught in headlights. In this transfixed state I would try my hardest to recoil my grounded jaw, replace my eyes balls into their sockets and find some resemblance of a functioning human being within myself once again. Id say it is these moments in life that I would most resemble to this notion of “love upon first sight”.

I remember these few occasions vividly, as if all could have happened yesterday. Even the first, I was just 15 in a new city and a new school. It appeared to be as normal as any day could be for a fairly new student, from a distant land speaking a respectively foreign English. As I made my prescheduled commute between class with a couple of friends, it happened. The double doors that created regular intervals along the absurdly long corridors of the school, flew open ahead of us. What followed were 3 girls heading our way, chatting amongst themselves, laughing and giggling somewhat shyly. None of this really registered in my brain at the time, stunned and infatuated, Amelia Heaven “first love” a “firs sight”. What came to be is another story entirely, for now, heres a pretty picture. My idea of Heaven.

Mili Heaven.jpg

In terms of my process, I worked from a photo using a pencil to lay down the basic structure, from then on, it was all pen Bebe.  

Portrait \ Spike

People are always passing through here in Budapest and this summer was no different. This week Spike was passing through on his way to help in the Belgrade refugee camps. I don't know spike so well, we've met each other only a handful of times in Amsterdam, we figured out that our connection is that he is my X-Girlfriends, X-Housemates, X-boyfriend! After a portrait and some nights up talking we know each other much better and can consider ourselves friends rather that two folk that know each other through their lover.

So heres the portrait anyhow. Working in this cubistic style I captured spike sitting and looking around the Gallery. You can also support Spike on his mission to help others here **GoFundMe**

Portrait \ Audy a.k.a. Cumi Laut

Arriving home from a spontaneous night in one of Budapest seedy club areas Audy agreed to sit, or in this case lie, for a portrait. I was really in the mood for painting and tired of drawing myself in the mirror plus Audy's technicolored hairdo gets me excited! Here are the results.

Oil on Canvas Board, 30x20cm.

UbikFarm Festival \ One night in Drawings

This last weekend I attended the much anticipated UbikFarm Festival, the little sister of the wicked festival UbikEklectik. The event was hosted by the guys at Farmunk in Vértesszőlős and I recon about 250 people in attendance. A petite festival that was overflowing with kindred spirits and feelings of free love and good vibes. I took A fresh sketchbook to see what would come of one Saturday night on the farm. Below are the results in order. I arrived at around 5pm on the Saturday and the last drawing was from 10am Sunday morning, when I wasn't drawing I was dancing and dipping (in the lake). Please bear in mind it was very, very dark during the majority of these drawings, and that I was drawing with speed to capture more of an idea of the festival rather than a realistic image. Some images I missed, like the piglets running behind the bar and the goats cruising with a rattle through the trees but I had a wicked night and am happy with the sketches.

Biggest Thanks to the Ubik guys, Taka Tuka crew and the wonderful folk of Farmunk for, as always, a great gathering of people combined with all sorts of fun. You really know how to do it. 

For More info check here \/

UbikEklektik  \  Taka Tuka  \  Farmunk

Portrait \ Passer By

It was a lovely Saturday afternoon and as I was just set up to paint at the doors of my gallery, two girls walked past and took a gander at the goings on inside. After passing, there quickly returned and inquired if I make portraits. I obliged and admitted to the certain style I was making them in this moment, and that a portrait would take roughly 15 minutes. She decided to site for me! 

The reason I Warned the girl as to the style of portrait is that when I utilise this style (especially with females) the character of the line itself is hard, often blocky which works well with the features of the man but can do a metaphorical dump on the physical appearance of a girl. 

Heres my attempt at Uma's Portrait, I'm happy with it considering the time it took and the fact that I had just met this girl I was portraying. I would love another 2 attempts to create the piece, I've found that in doing more that one of these portraits in quick succession is the key to create one that really hits the mark.

 

Style Test \ Nick Drake

I've found this new style I want to experiment further with. Using ink and brush I go over an initial sketch with a continuous and directionless line to build up tonal regions. (original photo by Keith Morris)

My initial idea was to actually build up the tones in greys, however when it came to use the ink I was so excited that I forgot to dilute it down, therefore had to continue with pure black. Still a satisfying outcome, however many improvements to be made. I want to use this technique to portray characters and people that have influenced/inspired my life to this point. 

Watch this space, more too come.

 

flash back \ 2 models, same place, 24 hours apart, 1 BIG difference

Once upon a time I was lucky enough to have two separate models pose within the space of 24 hours on the same location. In normal circumstances the drawings would have end up seemingly similar, however, as it turns out, the drawings couldn’t be any different!

1st Lena, where I made one or two pencil drawings taking roughly and hour each, came out looking quite realistic although I would say somewhat masculine, which in reality, is not necessarily the case.

2nd Tempest, the difference is quite apparent. What emerged from this 2 hour draw session was a psychedelic, 3 legged lady thing lying upside down on the sofa, head dangling freely whilst one of her 3 big toes caresses the rim of the bulbous lampshade. The penned piece is so far flung from the previous nights drawing you would be hard pushed to say that it was the same artist who authored them. Had I not just told you.

So whats the difference, why the dramatic and sudden change in style? 

Easily put, the difference was music. On the first occasion I was catching up with a friend as well as drawing a figure, there was little room for music. During the the day prior to next evenings session, I spent the day with a good friend Monsieur MacDonald who so happens to be a member of this so called 'Dream Rimmy" band from Perth. Pretty finger licking stuff that played on my mind until the night. Tempest came to pose and I asked her to sit/lie however she wanted on the couch and then to get comfortable. She took it upon her self to lay her legs over the back of the sofa. Whilst capturing the scene in ink like this, I do not worry so much for proportion or irregularities, I get my one line and I got for it worrying more about creating an atmosphere and sense of the moment rather than fixing mistakes. This leads to fair accurate but absurd looking characters, in this case the third leg arose as I thought to make a "Dream Rimmy" piece out of it, I asked Tempest to imagine herself trying to turn the light "on" with here big toe. The rest is history. 

What is interesting to note, is that the impression of the lamp is constant in both drawings, this was intentional, I didn't want to mess too much with the for of the lamp, I mean c'mon, its beautiful. Also, in the second drawing, I captured moments of the model walking around the couch eyeing up the perfect spot to place herself, you can see her on the right.

Portrait \ Cubistic Csaba

Meet Csaba, one of our key members at the Painters Palace

I started making this portrait a few nights back whilst we were sitting on the stairs. He sat for an extra ten minutes for touch ups, bless him.

Recently I have made a few portraits in this cubistic style and devoid of colour. Removing the aspect of colour allows me to be more liberal with the paint and concentrate more on values and brush work rather than thinking too much about mixing colours. I may continue to add colours at a later date, however for now, I like the composition of the lines and shapes and the sense of depth between the sitter and the background. So ill leave it for a while.

If you would like your portrait made, you can request one by contacting me here.

sketchbook \ two dudes

I love to draw from my mind especially when drawing portraits and characters. the results are usually unpredictable. 

Here’s two examples of recent sketches I made whilst playing with the proportions and features of the face. I am particularly happy with the texture of the stubble and the size of the glasses on the face of the first character. The second character is far more loosely drawn and the least successful of the two drawings. I remember in both I wanted to specifically have the mouths open, I got bored of drawing closed ones.