life drawing

Naked Chaos \ Vad art kiállítás

I was lucky enough, as an artist who adores drawing nudes, to recently have six girls pose naked for me in one sitting. The space was small and alcohol had been consumed, as you can imagine the scene was a little chaotic and the chances of keeping anybody still for the amount of time to capture an accurate representation of the scene before me were slim to naught. 

However an opportunity to represent the scenario arose in the form of a bubbly and determined Irish girl who goes by the name of Dervla who happened to be hosting what she called a 'Wild Art" Exhibition. Somehow, Dervla had managed to get her hands on a fairly large apartment and permission to paint on alllllll of the walls and she was recruiting artists to fill the space with both paintings and unique, temporary art. Naturally the Painters Palace was a solid point of call and a few of us got together and took over one room of the apartment. We each took our own section of wall and started painting a few days before the exhibition. I had the idea in mind of what style I wanted to implement to show the chaos, the movement, the intertwining limbs from that night with the English girls. I did not do any preliminary sketches, other than the drawings from the 90 minute session. Working in this style is a very impulsive and intuitive process, I find that trying to build the picture before you meet the canvas can intrude on an organic and spontaneous outcome. Therefore I dwell on the idea of the scenario/memory, what I found interesting, the conversations between the subjects (which were extremely fascinating), less on the real form or identities of the girls themselves but most importantly, thinking about the actual process of the painting, down to the brush strokes, in forms of movements that translate into marks that make the picture. Little moments of memory come to me as I create, like the side of a thigh running into the curve of the calf, the expression or tilt on ones face and it seems the as the moments come to me, I have to realise and compose them on the wall. As the exhibition was only intended to be one night I held back on refining every detail of the painting and rather looked for an overall harmony in the piece which ended up being roughly 4m wide and 2.4m tall.

Big Thanks to Dervla and everybody that was involved with the event. It was a huge success with attendance around 700 over the space of 5 hours, which in my book is pretty funking incredible for a first time event! For more info on the exhibition, the artists and works involved plus upcoming events > check here.

Below you can see the finished result, followed by the piece in context of the other works in the space, and then some shots of the process. As always, Enjoy.                                    

Final Piece.

Final Piece.

In context.

In context.

The process.

Painters Palace \ At its best.

The Painters Palace has been a hive of activity over this festival period Budapest. It's buzzing with the creativity of artists and musicians. Over the 2 days we've had a visiting Italian artist Lou Rido stay with us. He's travelling with his chalks and laying his swirls where he can, incredible drawings. For some reason there seemed to be an overwhelming amount of French people with two large groups passing through. We've had numerous noise complaints, even the police called once for just one guy on guitar at 5:30 in the afternoon. The music in general consisted of violin, flute, dijurido, saxophone, guitar, Cajon and guitar along with many 'un'classical instruments, beer cans, wine bottles etc. Sewn into the life music we had some improvised life drawing session, mixing up the models and times of poses as we went.

For me this is the palace at its best. People drawing and painting (creating in general) good live music (most often improvised by spontaneous meetings of musicians) casual nudity (its a must, it works so well with life drawing and pushing peoples concept of a 'normal/steriotypical' scenario or social situation) New people, when the palace has just over a few people inside it becomes a even bigger magnet for even more people. Its great to see so many faces in such a short amount of time come through the doors and experience a new type of space, it's even more exciting to see so many happy faces. The palace has been humming with good vibes and its been getting people to hum in tune. What more could one wish for?

Here's some of my drawings from these days, as always, enjoy.

IMG_4667.jpg

flash back \ 2 models, same place, 24 hours apart, 1 BIG difference

Once upon a time I was lucky enough to have two separate models pose within the space of 24 hours on the same location. In normal circumstances the drawings would have end up seemingly similar, however, as it turns out, the drawings couldn’t be any different!

1st Lena, where I made one or two pencil drawings taking roughly and hour each, came out looking quite realistic although I would say somewhat masculine, which in reality, is not necessarily the case.

2nd Tempest, the difference is quite apparent. What emerged from this 2 hour draw session was a psychedelic, 3 legged lady thing lying upside down on the sofa, head dangling freely whilst one of her 3 big toes caresses the rim of the bulbous lampshade. The penned piece is so far flung from the previous nights drawing you would be hard pushed to say that it was the same artist who authored them. Had I not just told you.

So whats the difference, why the dramatic and sudden change in style? 

Easily put, the difference was music. On the first occasion I was catching up with a friend as well as drawing a figure, there was little room for music. During the the day prior to next evenings session, I spent the day with a good friend Monsieur MacDonald who so happens to be a member of this so called 'Dream Rimmy" band from Perth. Pretty finger licking stuff that played on my mind until the night. Tempest came to pose and I asked her to sit/lie however she wanted on the couch and then to get comfortable. She took it upon her self to lay her legs over the back of the sofa. Whilst capturing the scene in ink like this, I do not worry so much for proportion or irregularities, I get my one line and I got for it worrying more about creating an atmosphere and sense of the moment rather than fixing mistakes. This leads to fair accurate but absurd looking characters, in this case the third leg arose as I thought to make a "Dream Rimmy" piece out of it, I asked Tempest to imagine herself trying to turn the light "on" with here big toe. The rest is history. 

What is interesting to note, is that the impression of the lamp is constant in both drawings, this was intentional, I didn't want to mess too much with the for of the lamp, I mean c'mon, its beautiful. Also, in the second drawing, I captured moments of the model walking around the couch eyeing up the perfect spot to place herself, you can see her on the right.

life drawing \ double model

Tonights life drawing session was a mixture of a single and a double model. 

Working with two models really does double the work load. I find this is due to the increased interactions between intertwining forms and limbs of the body. Despite the extra work the results are much more visually appealing and emotionally charged.