hungary

UbikFarm Festival \ One night in Drawings

This last weekend I attended the much anticipated UbikFarm Festival, the little sister of the wicked festival UbikEklectik. The event was hosted by the guys at Farmunk in Vértesszőlős and I recon about 250 people in attendance. A petite festival that was overflowing with kindred spirits and feelings of free love and good vibes. I took A fresh sketchbook to see what would come of one Saturday night on the farm. Below are the results in order. I arrived at around 5pm on the Saturday and the last drawing was from 10am Sunday morning, when I wasn't drawing I was dancing and dipping (in the lake). Please bear in mind it was very, very dark during the majority of these drawings, and that I was drawing with speed to capture more of an idea of the festival rather than a realistic image. Some images I missed, like the piglets running behind the bar and the goats cruising with a rattle through the trees but I had a wicked night and am happy with the sketches.

Biggest Thanks to the Ubik guys, Taka Tuka crew and the wonderful folk of Farmunk for, as always, a great gathering of people combined with all sorts of fun. You really know how to do it. 

For More info check here \/

UbikEklektik  \  Taka Tuka  \  Farmunk

work in progress: robodon \ may'17

Sometimes I think I'm a terrible person, I start a painting and sometimes the struggle to the finish is marred by unforeseen difficulties or (especially in oil painting) long breaks for drying and layering or just plain old thinking.

Here I have one of those paintings that fits both those moulds. I started this painting in May last year(2016), completed the under drawing work in the better part of an hour, worked on painting persistent small tones with a tiny palette knife on a large canvas, and then I hit a point. A point I hit with some pieces', a point where I don't know where to go next, and usually if I hit this point I have a system, I Set the work aside to rest. I take it out of my immediate working area and sit it where I can see it and leave it to my subconscious to figure out the direction and the fixes to be made for a finished piece.


I get the initial lines and composition done in roughly an hour whilst the model sat. I used charcoal and a damp brush to block in big areas. It's the first time, I believe, that I had to walk and draw a line at the same time, if you haven't tried it, I recommend. (Picture 1) if you notice I realised (too late) that I did not leave enough space at the side of the canvas for the stretching process, a silly over sight but lesson learnt.

By the last image in the above series I had built my own frame and stretched the canvas, its incredible how much of difference this makes! (Picture 4) This is how the painting stayed for a few months, before I blew of the dust and went at again with renewed vigour and alternate vision.

This is the painting as it stands. As you can see, I completely re thought the background which was influenced by a painting I did in the mean time.

Inspired by Impressionists \ Painting the Museum Garden.

After indulging myself in a 3part/hour documentary of the impressionist movement, I got a inner burning to take my easel outdoors again and paint like the pioneers of this colourful style. 

The documentary focussed mainly around Monet as he is considered the father of impressionism, but also includes the stories of Degar, Manet, Cezanne and a few other characters central to this artistic revolution.

I decided I wanted to use a limited palette today, and build the numerous colours from a stable base of primaries. The colours I had on my board were.....!!!!  I began the painting at 3 o'clock in the afternoon and could only paint until 5pm before the light had changed too much. So I went back the next day.

unfortunately I did not take a photo of day two progression.   

A week later after being away I managed to get back to the museum to continue.  

Its amazing how in just a week the scene had changed. the foliage on the trees had become less dense, he yellow/orange I was seeing burn through the Center tree had diminished significantly. Alas, I continued. 

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day 3 (total time painting 5/6 hours) 

Portrait \ Cubistic Csaba

Meet Csaba, one of our key members at the Painters Palace

I started making this portrait a few nights back whilst we were sitting on the stairs. He sat for an extra ten minutes for touch ups, bless him.

Recently I have made a few portraits in this cubistic style and devoid of colour. Removing the aspect of colour allows me to be more liberal with the paint and concentrate more on values and brush work rather than thinking too much about mixing colours. I may continue to add colours at a later date, however for now, I like the composition of the lines and shapes and the sense of depth between the sitter and the background. So ill leave it for a while.

If you would like your portrait made, you can request one by contacting me here.

Wall Art \ Hostel 1, Budpest

Recently the Painters Palace was asked to add some excitement and colour to the white walls of the newly renovated hostel. This was my contribution, right newt to the reception.

I used some good quality acrylic paint and finished with markers. Overall I think the piece is about 2m by 2m. 

brain jones town massacre \ Budapest concert

Got to see one of my all time favourite bands for the second time last night, Brian Jones Town Massacre. Arriving 2 hours early to the show at A38 we were lucky enough to run into and have a chat with the man himself, Anton Newcombe, who's music has accompanied many of my drawing sessions in the past and inspired me to no end! He was exactly how I imagined him in person, the only thing that surprised me was that he was wielding an iPhone and showing me some of the quirky collages he'd been making on the tour, I didn't expect a musical legend to be so tech savvy and apparently in that way orientated. He also had the phone in his back pocket the whole concert, killed the all white linen, angelic vibe I think he was aiming for with an outline of a house brick dangling from his butt. Music was great though, an eclectic 

Anyhow, didn't stop me making a drawing! I left it the drawing in Anton's pedal case, haven't heard back from him yet... haha